Tom: This is the least predictable track I’ve sent over to you in a while.
Tim: In that case I shall press play, and read ahead no further.
Tom: I know, American dance producers aren’t really what we’re “supposed” to cover here, but did you see any of that coming? Casual guitar intro isn’t normally followed vocoded lyrics. And then it turns into something that sounds a bit like Daft Punk if they turned the “bass” setting up to 11.
Tim: Yeah, it’s certainly interesting – and as for comparisons, it’s no coincidence that three of the recommended videos next to it for me are deadmau5, and two more being Porter Robinson.
Tom: And… it’s good! Like, it’s easy to make comparisons to Daft Punk, there’s a lot in common here, but what’s usually missing from folks doing that shtick is actual songcraft: making something catchy, making something that people actually want to listen to.
Tim: And yet this manages it. Well, sort of – I’m not saying I’d choose to listen to it, it doesn’t really do anything for me, but I know that people absolutely would.
Tom: Yes, it probably outstays its welcome a bit: perhaps a few different chords in the back half or a bigger final chorus wouldn’t have gone amiss. But then, that’s applying pop logic to dance. I’m just happy this turned out to be both novel and good.
Tim: And I am, in turn, happy for you.