Saturday Flashback: Johannes Hager feat. Josefin Backrud – Game Of Taking Chances

“Did you hear about the Spotify “fake artists” controversy?”

Tom: Did you hear about the Spotify “fake artists” controversy? If not, here’s a good article about it, and you’ll need it, because today we’re talking about one of those fake artists.

Tim: Okay, got that read. Let’s start.

Tom: I heard this playing over a café’s sound system, thought “huh, that’s not bad”, and then found that it wasn’t on Shazam or Spotify. Nor were the lyrics searchable. I got a lucky search on the title, found it, and yep: it’s one of the stock-music Epidemic Sound tracks that have been quietly creeping onto Spotify playlists, and which a Guardian reviewer described as “the most bizarrely nondescript music I’ve ever heard”.

Tom: And the word that comes to mind is: competent. There’s not anything here that’s wrong. The lyrics have a positive sentiment to them, but say basically nothing. The instrumentation does exactly what you’d expect it to at every point. The chorus is catchy. The middle eight is interesting.

Tim: It also sounds entirely ‘bargain basement CHVRCHES’, which isn’t necessarily a bad thing.

Tom: Oh good heavens, you’re right. It is very much Discount CHVRCHES. I hadn’t made that connection. Anyway, the question is: if this wasn’t “stock music”, would I think any better of it?

Tim: See, I don’t think there’s anything wrong with stock music at all – in fact, ten years after watching it I can still bring to mind a brilliant song used in a Skins episode, which after endless searching I have concluded was recorded purely for the episode and, sadly, chucked away. What a waste.

Saturday Flashback: Norman Langen – Baila mi amor

“All that’s really missing is Pitbull yelling nonsensical syllables over the top.”

Tim: After the not particularly inspiring Latin schlager track we featured on Wednesday, our reader Laith got in touch with us about this, a more interesting example you might enjoy – particularly if the highlight on Wednesday was the corset.

Tom: He’s not wearing a cor– oh, never mind, we’re good. But yes, that’s an interesting mix of German and Spanish, isn’t it?

Tim: And all that’s really missing is Pitbull yelling nonsensical syllables over the top – bring in Mr Worldwide and I think I’d really like it.

Tom: Wait, you’re saying Pitbull would improve something? Times have changed.

Tim: Oh, he can always be relied upon to spice up a track a bit. It has a good chorus, and while I obviously wouldn’t turn down a key change at the 3:06 mark, it works well enough without one. You’ve also got all the standard tropes from 2012 in there, the vocoded intro (albeit with a disappointing lack him of singing his own name), and in terms of Latin schlager I think this is probably as good as we’re going to get. Whether or not it’s worth pursuing is of course up to you; for me it’s an interesting novelty. Let’s not get too involved.