Drifters – Om Du Fick Se Mig Gå

“Dansband! Oh, it’s been ages. I’m looking forward to this.”

Tim: Drifters, a Swedish dansband who I thought we’d featured more than just the once we actually have; anyway, here’s their latest. No video, alas, but here’s a live performance.

Tom: Dansband! Oh, it’s been ages. I’m looking forward to this.

Tim: Tom, before I get started I’ll tell you and our reader that I’ve just watched the Line of Duty finale and so am properly pumped full of adrenaline; that may or may not have quite a lot to do with the fact that I shouted “OH, YES” when that chorus came along, and almost destroyed my brand new Lego Snowspeeder throwing my arms around.

Tom: That’s possibly the most Tim sentence I’ve heard in a while. For reference, I wrote this while a bit tired.

Tim: We don’t hear schlager like this very often any more, but oh doesn’t it just sound wonderful?

Tom: The opening verse confused me – it actually sounded like a modern song. And then the chorus kicked in, and I actually laughed.

Tim: The thing that gets me about songs like this, the one massive thing, is that they’re just so happy. I can’t find the lyrics online anywhere, but the title means “If You Saw Me Go” – that doesn’t imply a particularly upbeat song, but I can’t stop myself smiling.

Tom: They know exactly what their audience want, and they deliver it. This particular studio audience also sounds like they’re clapping on the 1 and the 3, but I’ll let that slide.

Tim: Particularly, of course, at the key change. The GLORIOUS key change. God, I miss this so much. So, so much.

Maria & Erica – I Love You Baby

It’s a marvellous audience reaction.

Tim: So here’s one that got entered for Melodifestivalen this year but was rejected; you’ll hear why.

Tom: It’s not because of the crushingly unoriginal title, then?

Tim: Nope, not that. It’s by the lead singers of two Swedish dansbands that we’ve covered previously – Drifters and Titanix respectively. Those two links, incidentally, are to wonderful tracks that entirely deserve a revisit; hear this first though.

Tom: Oh bloody hell, even the crowd can’t be bothered with that! Why would you put them in the audience like that? Why?

Tim: Oh, it’s a marvellous audience reaction. I think the fairly prominent old woman in the pale blue dress is my absolute favourite, particularly when she starts admiring the scenery at 1:45…

Tom: I think my favourite moment is at about 0:47 and 1:25, when two different parts of the crowd are clearly clapping at different times or in completely different tempos, each missing different beats slightly. Or at 1:37 when the camera just loses focus and wanders off for a bit. Sorry, you were saying?

Tim: …that’s a delightful track.

Tom: Ugh. The thing is, you’re right. It’s a textbook meaningless schlager track, and if you take it out of that bizarre audience situation, it ticks all the right boxes.

Tim: I started smiling from that very first note, because I immediately knew exactly what to expect, and I wasn’t remotely disappointed. Well, slightly disappointed – the way the key change came quite early on got my hopes up for a second one – but that aside I’m not sure I could complain about this even if I wanted to. So of course it got rejected, but damn I’m glad it finally saw the light of day.

Drifters – Sha La Lie

Utterly delightful.

Tim: You have almost certainly not heard Ik Ben Verliefd (Sha-la-lie) by Sienke, the rather jolly and pleasant Dutch entry to this year’s Eurovision Song Contest that entirely failed to qualify for the final. This is not important; what is important is that you now hear the cover of it by Swedish dansband Drifters, which is even more jolly and even more pleasant, to the extent of being utterly delightful.

Tom: Oh, that deserves to be played at every wedding disco in Sweden. Does Sweden have wedding discos?

Tim: I think if any country can do a good wedding disco, that country is Sweden.

Tom: It’s proper 80s-Eurovision, that is. It’s even got the plinky-plonky piano improvisation going on in the background. But it was rightly rejected – the contest isn’t about that any more. (Are you listening, BBC?)

Tim: That deserves repeating. DEAR BBC: EUROVISION IS ABOUT DECENT MUSIC. NOT PETE SHITTING WATERMAN.

Tom: Yes, that is his middle name.