Tim: Typically, when I see a song, I’ll listen to it before deciding whether or not we should review it; it may be dull, awful, or entirely unremarkable. Here, though, with Melodifestivalen winner Robin Stjernberg on the same track as professional musical dick Flo Rida, I’m fairly sure that, whatever we think, it won’t be entirely unremarkable.
Tom: Much like Cher Lloyd and Demi Lovato, that’s an international pairing that I’d never have expected — but which makes sense. Does it sound as good?
Tim: And as it turns out it’s mostly pretty good – we have Ktree (from Germany), the producer. Robin, the talent.
Tom: And what talent — from both of them, too. Robin’s got the voice for a song like that, and Ktree’s production is just incredible: that build is just astonishing. And then…
Tim: Flo Rida, the other bit. And just what is that other bit? Really? Because to be honest, it’s hard to think right now of anything that sounds quite so, well, just wrong (aside from possibly the lack of a chorus in Dark Horse, which gets me every time I hear it).
Tom: Not only that, who puts a camera that expensive into sand?!
Tim: It’s thirteen seconds of almost entirely unintelligible nonsense – I don’t know who wrote it, or what the point of it is. There’s are mumblings about bitches, shawdy and supermodels, which is basically what you’d get if you stuck him in a bingo machine and plucked parts of him out at random. The vast majority of me suspects it was only there to attach a big name to this – in fact, call me cynical, but I’d put quite a bit of money on this being the case.
Tom: Agreed. Note that they couldn’t afford to get him in for the video either: at no point does he actually lipsync. Maybe they just took some of his outtakes and shoved them into a track?
Tim: Wouldn’t actually surprise me. All that aside, though, this is a pretty great track – great vocals, the howling of which is becoming of a trademark for Robin, and a decent production underneath. It’s all good, really, with the exception of those thirteen seconds.