Laura White – To Be Loved

“Sounds much longer than it is.”

Tom: A reader called Lukas sends this in, and says “It’s due to be on the playlist of Radio 1Xtra in October. It’s slowly making waves.”

Tim: Huh. Last time I checked, 1Xtra didn’t plan out their playlists two weeks in advance, let alone two months, but okay.

Tom: To which I say: really? I mean, I’m hardly 1Xtra’s target audience, but I thought “calm soul music” was more Radio 2’s domain. Is there a soul show I don’t know about?

Tim: Putting it out there now: I will donate £50 to the charity of Charlie Sloth’s choice if this makes it onto the 1Xtra playlist.

Tom: First of all: that’s a great voice. And musically there’s not much wrong with the track; there’s a good hook, and about as much interesting stuff as you can ever fit in when all you’ve got’s a slow piano-and-vocals song.

Tim: Can’t disagree with the great voice bit, though I should add I’m not sure about the good hook – not saying it’s bad, it might be great, but I actually got a little bit bored, and a couple of minutes in I started reading up on the 1Xtra playlist process.

Tom: But my word, it sounds much longer than it is. I thought I was about five minutes in when I switched back to the video tab and found we weren’t even three minutes in first. Now, partly that’s my lack of attention span when it comes to music, and partly the fact we don’t normally deal with slow, soulful records, but despite all that… damn, this could do with being cut down just a little.

Tim: I couldn’t agree more. I’d consider listening to it again to see if there was more than the standard two verses, two chorus, middle eight and more choruses, but I fear I’d be claiming my pension before I found out.

Saturday Flashback: X Factor Finalists 2008 – Hero

Lurking in the background.

Tim: It’s probably time we discussed this. We’ve referred to it briefly on a couple of occasions, and ever since then it’s been lurking in the background, waiting to rear its beautiful, graceful head.

https://www.youtube.com/watch?v=8sOoTeprHiU

Tim: Now, I think this is marvellous.

Tom: It’s not beautiful, it’s not graceful, and it’s not marvellous.

Tim: It is, though. The emotion of the original is all there.

Tom: Yes, it is. Maudlin, saccharine emotion. Only this time, just in case it wasn’t drummed into you enough by the song, it’s backed up with Ken Burns Effect-photos of soldiers emoting. The only thing it’s missing is a big block of scrolling text which says “FEEL SAD NOW HURRRR”.

Tim: Oh, I have no problems whatsoever admitting the video is appalling – it is, by far, the worst thing about the song. It is the music where it shines, though, such as the key change – fairly impressive already in the original, here it’s been turned up to about 27. The only bad part of it is the vocals from Rachel at 2:33, which are just nasty, but they can be turned down a bit.

Tom: Musically, there’s nothing wrong with it. I’ll agree with that. It’s just so goddamned syrupy that it sends me into the musical version of hyperglycaemia.

Tim: Everything else? Brilliant, and I challenge you to provide an actual reason otherwise.

Tom: There’s a comment on YouTube from “PeterKaay94”, which says “How can you dislike this video? It’s for the armed forces you dicks.” I had a whole riff here about other fund-raising efforts that said commenter would then have to approve of, but frankly it just got a bit disrespectful so I’ve cut it.

Tim: Well as far as I’m concerned the cause has got nothing to do with it, and Mr 94 is speaking out of his arse. A song should stand out on its own merits, and being for charity should be no excuse whatsoever for weakness – JLS proved that.

Tom: Yes, it’s for a worthy cause, and yes, musically there’s nothing really wrong with it – but it just makes my skin crawl. That’s a reason.