Tim: A few months old, but I’ve only just seen it so we’ll pretend it’s new.
Tom: I’ll look the other way if you will.
Tim: That’s very kind of you. Now, if you’ll cast your mind back some distance, you’ll recall that the last time we met these guys, they gave us a slow builder of a song that I liked and you thought sounded too much like Nickelback. And this time, they’ve got cellos!
Tom: Ooh. I do like a good cello.
Tim: But, if we’re honest, not a lot else has changed. The song still builds gradually adding an instrument or two per verse/chorus trasition, although the voice has changed a it – he singer sounds a bit less like he’s about to go out and kill people this time, and more like he’s about to go out and kill himself. I’m not sure that’s a massive improvement, but I can see how it would improve attendance at their live shows.
Tim: Ooh, blimey. Anyway, I would argue that the voice isn’t really all that important – what we have here is a lot of instrumentation, and that deserves to be appreciated. Not a huge amount happens during the first verse, but then when the drums hit for the chorus it steps up a gear (and I kind of had an urge to slap the singer and tell him to liven up a bit).
Tom: A proper, slow-build emotional track. I can get behind that.
Tim: And then with the horns for the closing section, it feels almost triumphant, especially with the flames going up in the background.
Tom: Damn right. That is how you do a Proper Big Track. Pity about the lengthy and useless credits, though. It’s not a film. That’s just silly.
Tim: It is silly, isn’t it? Especially since they will never, ever get watched, because people will scroll away or close the window when the videos finished. Oh well, silly people. Musically, though, I like this, but I’d love an instrumental version.
Tom: I want to do something, backed by this instrumental. I don’t know what it’d be, but I want it to be backed by this instrumental.