Do they suffer the same problems?
Tom: We’ve harped on about Robyn’s songs for a while, and our complaint is always the same: they start at a moderate level of enthusiasm, the end at the same level, and they go nowhere in between. There’s no rise and fall, just a constant electronic beat and her singing.
Tim: Although it should perhaps be said that in some songs, such as Hang With Me, the moderate level is enough to enjoy the track if it’s on in the background.
Tom: Indestructible has been out as an acoustic version for a while, but the full synth-backed version is being released as a single soon. The question is, of course, is it the same as all the rest?
Tom: Yes, yes it is.
So, rather than say anything further, I suggest we use the rest of this post to discuss what the hell the bridge bit sounds like. Something from Jeff Wayne’s War of the Worlds, perhaps? The opening theme to Treasure Hunt? I can’t quite place it.
Tim: Haha, it is a bit like Treasure Hunt, isn’t it? However, I feel that instead of moving on we should provide properly constructive criticism, rather than just ‘make it louder’. For this song, I have two recommendations:
- The ‘let the bad ones in and the good ones go’ before the chorus is nice and sway-y, but that is spoiled by the ‘but. PAUSE.’ that happens next. I suggest losing those and instead having a ‘good ones go-o-oh’ leading gently into ‘I’m gonna…’
- The parts of each verse that first occur with ‘not alone’ and then ‘don’t let go’ should have at least an echo, if not proper backing singers. Although this is optional for the first verse, there is no way the second verse and later should not have it.
Tom: Sorry, what was that? I was busy watching Anneka Rice.
Tim: Well, actually, stop that and pay attention. Because this just in, from fan of the site Gerald: a track from the new album (a culmination of 2010’s Body Talk trilogy) entitled Call Your Girlfriend. Now sit down and brace yourself: it’s actually really good. (In his words: “12 times in one day good”.)
https://www.youtube.com/watch?v=cV3jHSUWQ0Y
Tim: If we’re being honest, and looking back at what we’ve said above, we’ve always been a little bit harsher on Robyn than she deserves – we’ve said that the songs, when heard just as songs, have not been great, for one reason or another. While all that is true, and I stand by it, we’ve not really mentioned that the music itself is quite good – it’s danceable, especially when mixed into other tracks, and if you hear it in the background of a shop of something you will likely think ‘Ooh, I like this’.
Tom: Believe it or not, that happened to me yesterday when a remix of ‘Hang With Me’ got played at an event I was at. And I liked it. Rewatching it now, even the video seems charming.
Tim: But, there have always been problems. And yet here, no. From when the synth first hits after the initial ‘Call your’, the melody is strong and the verses vibrant. The chorus is energetic with a healthy beat, and I like the way it flows straight back into the verse afterwards. The first part of the bridge is a bit bonkers, in a very good way. The second part of it is proper emotional singing, which is unexpected but great. The ‘caaaalll…’ even comes perilously close to a previously unimaginable Robyn post-bridge climax. Yes, it’s possibly a chorus too long at the end, and the two lines following each of the early choruses are a bit weak, but other than that I just can’t fault it.
Tom: I was all ready to disagree with you and say it was another boring track, but then the chorus kicked in and I decided that you’re exactly right. “The only way her heart will mend” did the musical equivalent of hitting me in the face… in a good way.
